‘Ghosts and Spectres – Shadows of History’ at the NTU Centre for Contemporary Art: A Review/Memory

The following is a personal account of CHENG Nien Yuan’s visit to this exhibition, which foregrounded to her not only the construction of state narratives but, inadvertently, of the curatorial staging of narratives in the gallery. In the spirit of the exhibit, she writes in the present tense as she remembers a past. It is … Continue reading ‘Ghosts and Spectres – Shadows of History’ at the NTU Centre for Contemporary Art: A Review/Memory